Whatever

whatever ?The Tea Party? Innovation: Here, Jerry Herman finds himself hip-deep in ternary counterpoint, capturing the humorously deluded yet logical world of the three apprehensive ladies. Development: This song indeed grows larger in progression, until the manifold counterpoint ensues. In terms of its limit, ?The Tea Party? is determine to its extreme. Transformation: The usage of counterpoint in this song is its expert important element. The round here centers around three haywire old woman each lost in their belt down world, concerned with their own problems.

Modes of Communication: Jerry Herman is most comparable to Stephen Sondheim here, as Sondheim is most recognizable for his difficult melodies and use of counterpoint. The actresses in the business I saw executed the song beautifully, never subscript a note or beat. The audience responded to the song peculiarly well, perhaps because they recognized the difficulty of the piece, or enjoyed its humorous quality. ...If you beseech to get a full essay, order it on our website: BestEssayCheap.com

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