Alfred Hitchcocks Vertigo explores themes of lust, caution and envy. These themes are explicitly conv centred passim the multitude through repetition of symbols and Hitchcocks innovative use of the tv camera. The interest essay aims to analyse these aspects in the expression of Madelines low gear opposition with Scottie. The horizon begins with a guessing of an flatbed with Madelines car step to the fore the front. This is an establishing crap-shooter and lets the viewer know where they have been transported. From this shot a give notice is applied and the establishing shot is followed by a shot of Scottie kneeling in front of a fire, stoking it. This is the low gear hint at this scenes underlying erotic motives and in knead symbolizes the stoking of Scotties desire for Madeline. In this scene Scottie is wearing a squirt jumper, a colour associated with Madeline throughout the film. This highlights his desire for attainment of Madeline. This is the first scene i n which we devour Scottie in his own territory, a place where one is ordinarily comfortable. However this does not take care to be the case, due to his unannounced guest. The music of strings, the only non-die compactic labored throughout the scene, has an eerie, creeping character and is employ as a mood setter.

From here the camera follows Scottie to his sofa, pauses very briefly, then continues to travel from right to left, moving in and then around the apartment. This drift serves many purposes. Firstly it ties the shot in more well to Scotties consciousness than that of a directors eye view. Secondly i t is another establishing shot, used to make! the viewer well-known(prenominal) with their surroundings. As the camera pans across the apartment we see egg-producing(prenominal) clothing hanging up to dry in Scotties kitchen, this make us that Madeline has been undressed by Scottie, If you want to get a full essay, order it on our website:
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